![]() In India, the carbon black from which India ink is formulated was obtained indigenously by burning bones, tar, pitch, and other substances. The practice of writing with ink and a sharp-pointed needle in Tamil and other Dravidian languages was common practice from antiquity in South India, and so several ancient Buddhist and Jain scripts in India were compiled in ink. Indian documents written in Kharosthi with this ink have been unearthed in as far as Xinjiang, China. India ink has been in use in India since at least the 4th century BC, where it was called masi, an admixture of several substances. A cylindrical artifact made from black ink has been found in Qin tombs, dating back to the 3rd century BC during the Warring States or dynastic period, from Yunmeng, Hubei. Numerous documents written in ink on precious stones as well as bamboo or wooden tablets dating to the Spring and Autumn, Warring States, and Qin period have been uncovered. A considerable number of oracle bones of the late Shang dynasty contain incised characters with black pigment from a carbonaceous material identified as ink. India ink was first invented in China, but the English term India(n) ink was coined due to their later trade with India. Woods and Woods (2000) state that the process of making India ink was known in China as early as the middle of the 3rd millennium BC, in Neolithic China, whereas Needham (1985) states that inkmaking commenced perhaps as early as 3 millennia ago in China. If a binder is used, India ink may be waterproof or non-waterproof.Ī solid ink stick used for the preparation of ink ![]() India ink is commonly sold in bottled form, as well as a solid form as an inkstick (most commonly, a stick), which must be ground and mixed with water before use. A binding agent such as gelatin or, more commonly, shellac may be added to make the ink more durable once dried. No binder material is necessary: the carbon molecules are in colloidal suspension and form a waterproof layer after drying. In East Asian traditions such as ink wash painting and Chinese calligraphy, India ink is commonly used in a solid form called an inkstick.īasic India ink is composed of a variety of fine soot, known as lampblack, combined with water to form a liquid. It is commonly applied with a brush (such as an ink brush) or dip pen. India ink is also used in medical applications.Ĭompared to other inks, such as the iron gall ink previously common in Europe, India ink is noted for its deep, rich black. India ink ( British English: Indian ink also Chinese ink) is a simple black or coloured ink once widely used for writing and printing and now more commonly used for drawing and outlining, especially when inking comic books and comic strips. There is an illustration of one of these above, left.Example of India ink on paper, Zeedijk by Gustaaf Sorel, (1939) The pen and ink approach proved to be especially useful for the abstract composition parts of the series. I dipped a pen nib into the ink and proceeded to lay in basic elements of the designs. Solving that problem was relatively easy as there were acrylic based black inks readily available at my local art supply store. This is because the subsequent acrylic paint would act as a solvent to the shellac and (at least partially) dissolve any careful design. What I sense (but don’t know) is that painting indirectly, which makes use of underdrawings in a foundational and yet implicit way, has gone somewhat out of vogue. Thus the information I found only partially addressed my interest.Īnyway, the first important thing I did find was to avoid traditional shellac based india ink. I want the underdrawing itself to play a role in the final painting – and not just in a paint-by-number, outline kind of way. ![]() Most information I found concerned transfer of the design and then getting rid of the drawing as soon as possible. To my surprise I did not find a lot of information online about creating an underdrawing for painting in acrylic. Since I haven’t used the medium for about forty years I had to search around a bit to see how best to do that. Thus for starters I wanted to transfer the basic elements of the design to each panel. I am currently involved in a project which calls for thirteen panels to be executed in acrylic according to a pre conceived design. ![]() Pen and ink Underdrawing for A Piece of Me #59
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